This new body of paintings combines aerial landscapes and floating shapes - figuration, colour-fields, texture and abstraction. ‘Kites' are seen from above - painted with brush, roller and airbrush. They are textured and evidence process and changes in direction through overlapping layers. They show clean, machine-like fades and colour blocks that overwrite thoughts, mistakes and past potential futures.
When we talked about his current position relative to his painting, his reference to a previous Stuart Cumberland as the author of the work suggested that there might be rich parallels to be drawn between working with Cumberland’s painting, working with an artist’s estate and questions of authorship around painting and post-conceptual painting in particular.
Using the mindset developed as contemporary artists, Sarah Baker and Aishleen Lester have forged parallel approaches to their creative endeavours. My contemporaries at Goldsmiths and Chelsea respectively, these thoughtful artists have used the open and critical thinking that is essential to any successful contemporary art career and developed projects that engage both their creativity and entrepreneurial spirit.
