Justin Mortimer

Justin Mortimer

New works on paper by Justin Mortimer - all available.

These pieces sit at the heart of Mortimer’s practice. Not studies, not afterthoughts - but works in which the image feels unusually raw, immediate and alive. Fragments of figure, surface noise, rubbed-out marks and pasted elements all held in a kind of suspended tension.

They have the same psychological unease and visual intelligence as the larger paintings, but with a freshness that belongs particularly well to paper. Beautiful in reproduction, but exceptionally good in the flesh.

Alien Hand

Alien Hand

Blackbird Rook and General Assembly present Alien Hand - Alison Blickle (Los Angeles) and Irini Karayannopoulou (Athens) - 6-21 March 2026, 12 Saint George Street W1S. Painting as possession: mythic bodies, glamour and unease, control and release. Studio as visitation.

Welded Rivers

Welded Rivers

Blackbird Rook presents Welded Rivers. 12 February - 14 March 2026. Landscapes as systems - channelled, resisted, remade across painting, drawing and ceramics. Featuring Laurie Cole, Jeff Dellow, Charlie Duck, Yoona Kwon and Holly Mills. Curated by Laurie Cole.

Marilyn Hallam and Ellie MacGarry

Marilyn Hallam and Ellie MacGarry

Blackbird Rook and General Assembly are pleased to present In Dialogue, an exhibition ; that brings the work of Marilyn Hallam (b.1947) into dialogue with Ellie MacGarry (b.1991). Across generations, both artists explore the architecture of interior life - through doorways, mirrors, windows, fabric, and the quiet gestures of domestic space.

What Remains of the Day: Notes from a Near-Spectator

What Remains of the Day: Notes from a Near-Spectator

A show that spans forty years shouldn’t feel contemporary in every direction at once, yet What Remains of the Day does exactly that. In pairing Marilyn Hallam and Ellie MacGarry, the exhibition opens up a conversation about how painters organise attention, how interiors become states of mind, and why the language of modernism keeps resurfacing when we think we’ve left it behind. This is a quiet show, but it has a long reach.