What happens when that eye leans ever closer into the screen and begins to watch and learn from the digital? All bets are off. What we see can have been reconfigured and reimagined in any number of ways. There is no need for truth, logic or limits.
A Michigan collector is finding new homes for work he’s spent more than twenty-five years buying. I’m sharing a selection at ridiculous prices, alongside news of my expanded role at Plaster and the Substack archive.
A painting in storage can have an excellent exhibition history, but it still needs somebody to get it out again. In 1980, John Hoyland selected Clyde Hopkins for the Hayward Annual. In 1986, Hopkins and Frank Bowling had concurrent exhibitions at the Serpentine. Their subsequent visibility tells us something about how art history gets made.
APT Open Studios
Saturday 19 and Sunday 20 September 2026
1–6pm both days
6 Creekside, Harold Wharf, Deptford, London SE8 4SA
Discover four contemporary artworks in August’s Collector’s Note, with insights on emerging artists, collecting and the culture of the art world.
